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The next meeting of the Happy Friends Reading Club will be held at HomeShop on Sunday June 2nd at 5 pm.
We will discuss the contents of the brief interview After the Event: Rationality and the Politics of Invention; An interview with Alain Badiou by Radical Politics between philosopher Alain Badiou and some students who form the Radical Politics Group at the University of Essex in 2003. From our brief foray into utopian studies, we wondered, can anything happen, does history exist, in utopia? And so the question of the event.
“It is imperative to understand that an event is always relative to a situation; it is an event for the situation, and not above or outside it. Consequently, when I say that an event is beyond calculation, beyond prediction, this is naturally beyond prediction within the situation of which the event is the supplement, or the added singularity. As such, the event is not in itself unintelligible: it is unintelligible in regard to the means of prediction, of forecast, or of continuity that are those of the situation. But the intelligibility of the event is created in the fidelity to the event.” —Alain Badiou
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| 5月1日 Wednesday May 1 |
| 每周六,下午两点 every Saturday, 14:00 |
| 5月19日,下午5点 Sunday May 19, 17:00 |
| 6月2日,下午5点 Sunday June 2, 17:00 |

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“ Keeping it Real: Art, Activism and the "East Asia Multitude"”, 文: 何颖雅 Elaine W. HO Institution for the Future, edited by Biljana CIRIC and Sally LAI, Chinese Art Centre, Manchester UK, 2012 |
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| “致编辑的《黄边日报》信件 The YellowSide Daily Letters to the Editor" 《一个(非)美术馆:回想、再现、共鸣 A Museum That is Not: Reflection, Representation, Resonance》(画册 catalogue), Guangdong Times Museum, 2012 |
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| 《小运动:当代艺术中的自我实践》 广西师范大学出版社 Guangxi Normal University Press, 2011 |
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| "宇宙 The Universe",文: Michael EDDY 《艺术世界 Art World》 2012年1月 [下载中文版 / download EN pdf] |
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| “《北二条小报》晚版 Beiertiao Leaks: The Late Edition”, 文: Michael EDDY 《艺术世界 Art World》2011年3月 [下载中文版 / download EN pdf] |
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“17 Days in Beijing: Screen of consciousness on the micropolitical”, co-written by Elaine W. HO and Sean SMITH Public, No. 40, Spring 2010 [download EN pdf] |
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“大爷、 老张、高哥与大胡子在大市内的小村庄”, 文: 何颖雅 Elaine W. HO 《城市画报 City Pictorial》 第22期,2009年11月28日 [下载中文版 / download EN pdf] |
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“HomeShop series number one: Games off the Map”, 文: 何颖雅 Elaine W. HO 《城市中国 Urban China》2008年12月 [下载中文版 / download EN pdf] |
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| Editorial, 文: 何颖雅 Elaine W. HO 《穿 Wear》2008年12月 |
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| "The ruptures, the thresholds, the grey line, the lingering 断带、门槛、灰线、不舍 ", 文: Fotini LAZARIDOU-HATZIGOGA 《穿 Wear》2008年12月 |
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| "家作坊:现象与显现 Theatrification and Disruption", 文: 欧阳潇 OUYANG Xiao 《穿 Wear》2008年12月 |
| "Co-Youth、Co-Hutong、Co-Creative、Co-……作为 生活理想的Co-Space实验",《城市画报》2013年2月28日第4期;总322 | |
| "Η Φωτεινή Λαζαρίδου-Χατζηγώγα μας μυεί σε νέα μοντέλα καλλιτεχνικής παραγωγής", Athinorama, 7 January 2013 | |
| "自出版有春天 The Spring of Self-Publishing",《周末画报 Modern Weekly》, 2012年12月29日改版第732期 | |
| "HomeShop: Research-based practice and the spirit of the hutong", by Jason WAITE Art Papers, September/October 2012 |
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| “召唤'去替代化'的过程:在中国的艺术家自发项目”,文:蔡影茜 《艺术典藏國際版 Yishu Journal of Contemporary Art》 第11卷第3期,2012年12月 "Calling for a Process of De-alternativeness: On Artist Initiatives in China", by Nikita Yingqian CAI Yishu Journal of Contemporary Art, September/October 2012 |
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| "Little Movements: Self-practice in Contemporary Art and A Museum That is Not", by Edward SANDERSON Yishu Journal of Contemporary Art, March 2012 |
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| "胡同 hútòng: Vicoli e vetrine", by Beatrice LEANZA Casamica: Corriere Della Sera Design Magazine, 5 October 2011 |
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| “ ‘家’ 作为起点” ,文: 戴章伦 Adele DAI 《艺术文献 Fine Arts Literature》第70期,2011年2月 |
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| “另类空间,另类策略 Alternative Spaces, Alternative Strategies”, by Edward SANDERSON 《艺术界 Leap》 No. 6, 2010年12月 | |
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“小运动 Little Movements”,文: 卢迎华 Carol Yinghua LU 《艺术典藏國際版 Yishu Journal of Contemporary Art》 Volume 9, No. 5,2010年9-10月 | |
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“《穿》,外表下的本质”,采访: 9姑娘 西排艺术书房 CPAI Arthouse, 2010年8月10日 | |
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“何穎雅谈家作坊与《穿》 第二期”, 采访: 安静 《艺术论坛 Artforum》2010年7月15日 | |
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“Elaine W. Ho”, interview by Lee AMBROZY Artforum, 15 July 2010 | |
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“Don't Stop: Doing art potluck style”, by Carol Yinghua LU e-flux journal, No. 5, April 2009 | |
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“Best of 2008”, by Robin PECKHAM 《艺术论坛 Artforum》, 10 December 2008 |